History
How a Jacksonville Beauty School Built an Economic Engine on Myrtle Avenue
Sophia Nickerson Starks trained generations of Black women for professional careers at her Durkeeville institution, anchoring one of the South's most prosperous segregation-era business districts and creating a model for economic mobility decades before modern workforce development.

A 1,000-hour vocational program operating from a building on North Myrtle Avenue in Durkeeville trained hundreds of Black women for professional careers between the late 1920s and early 1960s, creating a pipeline of entrepreneurs who opened independent beauty businesses across Northeast Florida during an era when economic opportunities for African Americans were severely restricted by segregation and custom.
Sophia Nickerson Starks founded Nickerson's School of Beauty Culture by 1927, according to Jacksonville city directory records, establishing what would become one of the city's most influential Black-owned institutions. The school operated at 1503 North Myrtle Avenue, in the heart of what was then one of the South's most prosperous Black commercial districts, and maintained operations for more than three decades through the Great Depression, World War II, and the early civil rights era.
What the school offered
Surviving institutional brochures show the program required 1,000 hours of instruction covering hygiene, anatomy, physiology, sterilization, electricity applications in beauty work, hair construction, salesmanship, and shop management. Students wore green uniforms with white collars and cuffs, reflecting professional standards modeled on medical and technical training programs of the period.
Admission required educational qualifications and health certificates, and tuition could be paid in installments — a financing structure that opened access to women who could not afford lump-sum payments. The curriculum structured cosmetology as a professional discipline rather than an informal skill, a distinction that mattered both for graduates' earning potential and for licensing under Florida's emerging regulatory framework for beauty services.
The Crisis, the NAACP's national magazine, featured the school in a January 1942 photo essay on Jacksonville's Black business district, documenting its classrooms, reception areas, and training facilities alongside banks, insurance companies, and professional offices along the Myrtle Avenue corridor. The Jacksonville Journal reported in October 1942 that the school had reached its largest enrollment to date.
How it fit the Myrtle Avenue economy
Myrtle Avenue in Durkeeville and the adjacent Oakland neighborhood formed one of Jacksonville's primary Black commercial corridors under segregation, anchored by financial institutions, retail businesses, professional services, and entertainment venues serving a customer base largely excluded from white-owned establishments downtown. Vocational training institutions like Nickerson's School of Beauty Culture strengthened that economic ecosystem by preparing residents for careers that did not require migration to Northern cities or acceptance into industries practicing formal or informal racial exclusion.
Beauty culture was one of the few fields in which Black women could build independent businesses with relatively modest capital requirements — a salon could open in a front room or a rented storefront — and serve a customer base that white-owned businesses either refused or failed to serve competently. Graduates did not compete for scarce positions in segregated labor markets; they created businesses, hired employees, and generated wealth that stayed in the community.
Census and banking records document the institution's financial stability. Sophia Nickerson Starks and her husband Wesley owned their home at 1505 Myrtle Avenue, directly adjacent to the school, according to the 1940 U.S. Census. A November 1931 check drawn on Citizens Bank of Jacksonville and signed by philanthropist Eartha M.M. White, payable to "Nickerson Beauty Shoppe," confirms the business maintained formal banking relationships during the depths of the Great Depression — a period when many enterprises, particularly those owned by women and minorities, struggled to access credit.
The census also shows Wesley Starks reported no income in 1939, suggesting the household's financial security rested substantially on Sophia's enterprise. That economic role reversal — a woman's business supporting the household while the husband's railroad dining-car employment fluctuated — was uncommon in public records of the era and underscores the institution's revenue stability.
What happened to graduates
The St. Augustine Record reported in 1944 on the opening of a beauty parlor owned by a Nickerson School graduate, illustrating how the institution's influence extended beyond Duval County into surrounding Northeast Florida communities. Newspaper accounts from the 1940s through early 1960s document graduates opening businesses in Jacksonville neighborhoods, St. Augustine, and other regional cities, creating a network of independent operators who employed others and became anchor tenants in local commercial blocks.
This multiplier effect — one training institution producing dozens of business owners who in turn hired employees and served thousands of customers — represents a model of economic development that modern workforce programs and small-business incubators aim to replicate. Nickerson Starks built that model decades before the language of "entrepreneurship ecosystems" or "inclusive economic development" entered policy discussions.
Beauty salons owned by Black women often doubled as community institutions, serving as informal gathering spaces, sources of neighborhood news, and sites of political organizing. Graduates of programs like Nickerson's carried professional skills, business training, and a model of economic self-sufficiency into communities across the region during a period when such examples were scarce and systematically undermined by segregation policies.
The legacy in Jacksonville's built environment
Myrtle Avenue's role as a Black commercial and institutional corridor declined after the 1960s as school desegregation, interstate highway construction, and urban renewal projects disrupted the physical and economic geography of Jacksonville's Eastside neighborhoods. Many of the banks, professional offices, and retail businesses documented in the 1942 Crisis photo essay no longer exist, and the corridor faces the disinvestment and vacancy challenges common to historically Black business districts across the American South.
The building that housed Nickerson's School of Beauty Culture at 1503 North Myrtle Avenue is not currently identified as a historic landmark in city or state preservation databases, though the institution's documentary record — census records, newspaper coverage, banking documents, and national magazine features — meets the evidentiary standard typically required for historic designation. Preservation advocates in Jacksonville have worked for decades to document and protect Eastside landmarks associated with the African American community, but many sites lack the physical markers or widespread public recognition that prompt official preservation efforts.
The school's history fits a broader pattern in Jacksonville's development narrative: institutions and entrepreneurs who built critical infrastructure for Black communities during segregation often remain absent from mainstream historical accounts and downtown heritage trails, even when their documentary record is substantial. Banking records confirm Sophia Nickerson Starks' enterprise operated continuously from at least 1927 through the early 1960s, a longer operational span than many businesses typically celebrated in Jacksonville's entrepreneurial history.
Why the story matters now
Sophia Nickerson Starks' career, documented through census records beginning in 1900, city directories starting in 1927, Depression-era banking records, 1940s national magazine coverage, and newspaper accounts into the 1960s, traces a lifetime of institution-building that trained hundreds of women for professional careers and economic independence during an era when such opportunities were deliberately constrained by law and custom.
Her business model — structured vocational training, installment payment plans, professional standards, and curriculum covering both technical skills and business management — created economic mobility for students who faced restricted access to higher education, exclusion from most white-collar employment, and systematic barriers to capital and credit. The institution she built supplied a regional network of independent businesses that generated income, created jobs, and anchored commercial corridors across Northeast Florida for decades.
That model remains relevant as Jacksonville and other rapidly growing Sunbelt cities confront workforce shortages in skilled trades, debate strategies for supporting minority entrepreneurship, and work to revitalize historic Black business districts that declined after segregation ended. The mechanisms Sophia Nickerson Starks used — accessible training, business preparation, installment financing, professional credentialing — are the same tools modern economic development programs deploy, often without recognizing that women like her had already proven the approach's effectiveness generations earlier.
Jacksonville's contemporary growth, concentrated in master-planned communities on the urban fringe and downtown residential projects incentivized by the Downtown Investment Authority, rarely engages the institutional history of neighborhoods like Durkeeville and Oakland. Yet understanding how Black entrepreneurs and institutions built economic infrastructure under segregation offers lessons for equitable development strategies in communities experiencing displacement pressure as property values rise and new investment arrives. The question Sophia Nickerson Starks answered — how to create structured pathways to business ownership for people systematically excluded from capital and opportunity — remains a central challenge in Jacksonville's ongoing development debates.
Sources
- The Jaxson: The woman who built Jacksonville's beauty empire
